Why just write poems when you can write better ones? This course is built on the notion that the most exciting writing begins after the first draft. It is specifically for folks who believe that writing poems just to express oneself is like using the Internet just for email. After all, poetry can change the way you and your readers think of the world and its inhabitants; it can break new ground for language; turn a blank sheet of paper into a teeming concert of voices and music.
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释放想象力:诗歌工作室
加州艺术学院课程信息
您将获得的技能
- Music
- Poetry Writing
- Art
- Creativity
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加州艺术学院
CalArts has earned an international reputation as the leading college of the visual and performing arts in the United States. Offering rigorous undergraduate and graduate degree programs through six schools—Art, Critical Studies, Dance, Film/Video, Music, and Theater—CalArts has championed creative excellence, critical reflection, and the development of new forms and expressions.
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Introduction and the Poetic Line
Poetry orchestrates its music, arguments, tensions, and environment via arrangements of language into lines and stanzas. This week we’ll address the importance of the line break, perhaps the most conspicuous, signature tool in the poet’s toolkit. Do you break more for sound, for sense, visual effect, shape, a mix of several? We’ll participate in several line break exercises and remix found poems. Also: prepare for your first quiz and a fun first writing prompt.
Abstraction and Image
Abstraction doesn’t mean “deep,” and image doesn’t mean “picture.” Images are typically understood as anything you can literally touch/taste/see/hear/smell, and abstractions are those things for which we have symbols (a clock for “time,” a heart for “love”) but no image. Abstractions and images may fill our poems, but how can you tell what’s what, and how can you leverage them to compelling ends? This week we’ll work at finding new symbols to replace clichéd ones for abstractions and we’ll work at crafting images that do more than add furniture to a poem, but create systems of relationships, moods, and even style.
Metaphor and Other Formulas of Difference
Most of us think of simile and metaphor, personification and other similar figures of speech as being about similarities between objects, concepts, and entities. But the juice in these formulas comes from how different the two things being compared seem to be. This is why writing: “the shark moved like a fish” is, alone, a lot less interesting than saying “the shark moved like a squad car.” We’ll talk about how playing with difference via juxtaposition can create a range of poetic effects. Then you’ll write a poem built of one robustly developed or several contrasting juxtapositions.
Rhyme
This week we’ll explore how rhyme leverages patterns of sameness and how we can estrange similarity for compelling poetic effects. We’ll check out examples of “rhyme”—sonic, visual, conceptual—from outside of poetry too.
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- 5 stars81.83%
- 4 stars14.76%
- 3 stars2%
- 2 stars0.60%
- 1 star0.80%
来自释放想象力:诗歌工作室的热门评论
This course was so fun. I was beyond anxious to start as I am fairly new to poetry and poem writing, but this course forced me out of my shell in a truly good way. I tip my hat to the teacher!
I loved it. I truly enjoyed my time through this course. Excellent teacher who knows his stuff. Thank-you for this writing and educational opportunity for me to jump-start my muse again.
I appreciate the practicality of assignments and delivery of concepts for writing poetry. I learned some skills and it gave me structure. The conversation between students is less accessible.
This course does a good job in covering the basics andpresenting you with interesting prompts. The workshop aspect really allows you to receive feedback which can be difficult to find elsewhere.
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