I'm Amanda Williams. I'm a visual artist from Chicago, trained as an architect. The houses that make up the series, were all slated for demolition. These are structures that can't be saved, that are not going to be rehabbed, that are not even good enough for people to squat in. I didn't ask anyone's permission to paint the houses. I was terrified by what might happen. The practice of discriminatory housing lending, created this landscape to begin with. That trauma that comes after years, and years, and years of disinvestment, of being lied to, of not really having control over how your environment gets shaped or your ability to own your environment. These were fully intact blocks and neighborhoods, and so to know what isn't there, is as important as noting what is there. This wasn't that a neighborhood beautification project. This wasn't a paint flowers on the windows to put a band-aid over this deep incision. When you live in an environment where a bulldozer means something's going away and nothing else has ever coming back, it doesn't mean prosperity or future or potential. It means erasure of your history. So what action can be taken to shift how you see your environment, and shift how we think about the value of that environment. There's not a day that goes by that I don't think about color as both an artistic medium and then also as race. As an African American person, color is always in the foreground as a racial signifier. Most of the colors relate to products that had been marketed towards the African-American community in the sixties, seventies and eighties. So each color has some relationship to some memory that I have of that time. The colors are; harold's Chicken Shack, pink oil moisturizer, Ultra Sheen hair grease, loose squares, also known as Newport 100s, Crown Royal bag, currency exchange, safe passage and flaming red hots. So, when someone says, "You painted that house pink?" I say, "Oh, no. That's pink oil moisturizer" and the smile emerges, because there's a shared understanding of what that product means to an entire community, both in a very practical sense, it's a hair palm aid, and then also just memories of when people used it, usually a grandmother or a family member getting your hair pressed, or you getting ready for Easter Sunday or a date. It really tells that entire story through these colors in these isolated structures that say everything from "I'm still here" to "Will you remember me when I'm gone?"