And this is probably better for lighter kinds of
passages, but some people do it all the time.
If you're going to do that, make sure that it stays to the left the whole time.
You don't want to be moving it through the pattern
if you're not completely aware that you're doing it.
For an expressive reason.
Another thing to be aware of as of the pattern, is
pay special attention to what happens from beat three to beat four.
This is the part of the pattern that we're most likely going to
have a hitch or a glitch of some sort that we don't want.
What often happens two, three.
Four, one, two three, four.
Or something odd on the way back from the rebound of three, back to four.
Think about that travel path, travel path, being the exact
same path on the way out, and the way in.
So if we have one, two, we go out this way, and we come back to same way, three.
Four is a little bit of a U, kind
of a little pendulum, which just goes back and forth.
I might move a little bit, but if you can concentrate on making
that path the same, then you avoid any hitch or glitch in there.
It's not that you never want any sort of
hitch or glitch, there might be a part, two, three.
Four, one where I completely came over the top
there, but I did it for an expressive purpose.
If I do it all the time, it doesn't mean anything anymore
just looks like a weird little habit that I have in there.