[MUSIC] And repeat that. [MUSIC] And okay, then there's a B section that the electric guitar, probably baritone takes over. [MUSIC] Spaghetti western. And then back to the A section. Okay. [MUSIC] Maybe not the four chord. [MUSIC] This is not the whole chart run down. [MUSIC] I think it's [INAUDIBLE]. [MUSIC] That's [INAUDIBLE]. [MUSIC] Maybe not the four chord. >> [LAUGH] [MUSIC] >> Overdub that? >> Sure, if you want to, yeah. Yeah, we should make it like a little melody or something. >> Exactly. Why don't you [INAUDIBLE]? >> 152. [MUSIC] [INAUDIBLE] [MUSIC] We should probably go straight into solos shouldn't we and not have the four bars in between? Do you think? >> Yeah. >> I think we should axe maybe the four bars or rest in between the head and the solos, right? I think there shouldn't be a turnaround maybe. >> There shouldn't be. >> Do you think? Do you guys want to do something during four bars? If not- >> [INAUDIBLE] we could just go. [MUSIC] You're on two bars. Is that what you were saying? >> Like how much time, lets just run it and I think we'll know probably. >> Are we saying that- >> Wait. >> That's four bars, that's. >> You know what I'm trying to do is get some extra rhythm section only stuff that we can use- >> Cool. >> In between. You know what I mean? So I thought if I built it into the song then we could just lift it out later. [MUSIC] But it might not need it. >> Yeah. Maybe two bars on the five, the bass and drums and then back to the [INAUDIBLE]. [MUSIC] >> Let's do it as the chart's written just for now, and then we can always delete stuff later. Is that cool? >> Yeah. >> Let's do that. And Robert I don't know if you're in with the drums sometimes or maybe not. Or you start jamming halfway through or I don't know. I don't know. I don't know what I'm going to do. I don't know what anybody would do. If you could just wait if you don't want to play, I don't know. Do you feel inspired to like add some? >> If I went from the end would be over the one? >> Probably, yeah. >> Actually I do like Josh's idea maybe later on we could do it. Just everybody do it, you know. [MUSIC] >> That's at the end, yeah. That will definitely happen at the end we'll go out on drums and you think it's going to fade on drums but then we'll just going to start jamming again on one and- >> Yeah, that would be very good Ryan. >> So that- >> Okay. [MUSIC] [INAUDIBLE] So you take the melody for the whole first 16 bars, like the layer, or like [CROSSTALK]. But the whole first two A sections all steal. >> I got it. It's 2 AAA, I got it. >> Yeah so you're- >> [INAUDIBLE] Start off, I'll start off. >> Yeah you're like every A section, until the [INAUDIBLE]. [MUSIC] [INAUDIBLE] [MUSIC] One two one. [MUSIC] >> We're playing the same chord. >> That's true. And also I think the tempo too fast. >> Too fast, too fast. >> I think, yeah, I think when you do. >> So do you want me to [MUSIC] Adjust my part? >> No, no, I like it on guitar. I'll probably lay out, actually of everything except for maybe that answer section. >> I mean I can move it to something else. >> Do you hear something else? >> Play it. Yeah, [INAUDIBLE]. [MUSIC] Yeah. >> I'll be sure to not play that right, but at least I know what I'm supposed to do. >> You can probably play that melody right? [INAUDIBLE] Do you think, do you want to over dub the melody and In that B section. >> It's up to you. [MUSIC] What is it you want me to play it on the go down? >> I do. [MUSIC] >> Yeah. That's good. [MUSIC] Yeah. [MUSIC] >> [INAUDIBLE] So just to be clear. Is that where, that's when it goes to the F? >> Mm-hm. >> Yes. >> One two three four, one. [MUSIC] >> Like I want it to sound kind of like [MUSIC] Jerry Reed. I would love for it be like, kind of like smartass and badass, like Jerry Reed, you know. >> Yeah. [MUSIC] >> Like, kind of you know what I'm talking about? >> [CROSSTALK] >> It's like it's like that- >> Yeah. >> Low voiced truck driving music. >> Yeah, that's what. So, that's exactly right. [MUSIC] >> [LAUGH] [MUSIC] Do you think that that tempo is right? >> [INAUDIBLE] now, so. >> Okay. Fred, is that tempo feel [INAUDIBLE] better to you? >> [INAUDIBLE] >> Do you think we should lie back and [INAUDIBLE] swagger a bit more or do you think it needs to, what do you think? What was that melody? >> 140. >> What is it? >> 140. >> [INAUDIBLE] Let's play a little bit. Let's see. >> [INAUDIBLE] [MUSIC] >> [LAUGH] >> [LAUGH] >> [INAUDIBLE] try a little bit of. >> Yeah. >> [INAUDIBLE] [MUSIC] I wonder if, like I feel like I'm literally search for something sustaining needs to happen. I don't know if it's an organ overdub or there's like a big swipe, yeah. [MUSIC] Yeah, that's nice. >> Yeah, yeah, yeah, yeah, yeah. [MUSIC] >> [INAUDIBLE] >> Awesome, yeah. Can everybody feel that one? >> [INAUDIBLE] one. >> You want one more still? >> [INAUDIBLE] I mean [INAUDIBLE]. >> How did you feel about it? >> [INAUDIBLE] >> Do you want to- >> Wait [INAUDIBLE]. >> [INAUDIBLE] [MUSIC] Should we work from this one? >> We should just do another one. We should do another one. Everyone is going to have to go all the way through. >> Yeah, okay, all right. Shoot [CROSSTALK] [LAUGH] Should we are we. Can we get one or should we fix one you think? >> I think this. I think it's sounding really good. >> Yeah, I mean I can fix a few spots on that one but pretty much. >> I feel good about that one. I thought it was good too. >> Yeah. >> What do you think Robert? >> I gotta fix a couple of, that first B section. >> But we could go one route behind it. >> And then I gotta fix that A section right behind that. >> Do us one and listen. >> I'll probably note. >> What do you think, Dave? Are we having diminishing returns here or is this? >> That was the best one today, that was the best one. I'd say you could fix that one or one, with everybody, it's not dead in the water [INAUDIBLE]. >> Yeah, [INAUDIBLE]. >> Okay all right. [LAUGH] >> I thought that was the best one so far though. >> [CROSSTALK] >> A one, two, one, two. [MUSIC] [MUSIC] >> Whoo! >> Sorry. One more time. [MUSIC] >> Yeah, I think that's better. >> Cool. >> Do you like it better? >> Yeah. >> It's like more of an answer to the melody that's already there and I think it works better. [SOUND] [MUSIC] [MUSIC] >> [APPLAUSE] [SOUND] [APPLAUSE]
