All photographers make choices, whether it's how you frame something on Instagram, what kind of camera you use, what kind of print you make, how you share that picture. >> The power of photography is way more complicated than people admit to. You have to learn to understand how images are constructed. >> I got into photography because I wanted to know something that other people didn't know. What makes a single image important any more? How do you make that image that people are going to run to museums for? >> What is it about me? What are we bringing to this photograph? >> I think you have to contend with a lot and that is a very worthwhile experience. >> When you think of photographs as processes, not as products, you start really understanding what they really mean. >> How's the process different? >> I want it to be not about grabbing the moment, but about dancing with the moment, collaborating with the moment. >> Can you see what I see? >> No. No one else can see it. >> [LAUGH] >> You can stop something and look at it in a way that you normally wouldn't see it, and I think that's part of the real fascination with still photography. It lets you step outside yourself to kind of look at the world in a different way. Okay, so it's going to be half a second. [MUSIC]