Usually I start with a sculpture and I'm trying to build an environment which I can somehow believe in a way, in a very weird and remote way, but nevertheless, I want to have a chair which looks like a chair from all sides. I'm trying to make interesting, complex things but I don't want them to imitate reality or something. So, I try to keep them on the edge of a very abstract translation of a very banal object. For me, the interesting thing was that this room is a room where everything happens at the same time. So, you see food on the bed, and you see books piled everywhere. And you see a cup on the table, as well as a typewriter and a chair, which is moved in a way like somebody just left to the bathroom. There is no detail on the things, like any writing on the papers. On the top right on the bed you see an alarm clock. But there's no time going by. So this paradox is the key element of the work for me.