Hi. Welcome back.
Make yourself comfortable.
This presentation is going to be more about
the cultural encounter that's occurring between Europeans and Asians.
I call it �Introverts and Extroverts�: people who are
looking more inward, people who are looking more outward.
The boy in his painting is named Omai. He's Tahitian.
He's been brought back from one of captain Cook's
voyages of exploration and discovery in the South Seas.
Omai, handsome youth, and Reynold is struck by the
natural, unaffected simplicity of this young man.
That's what he's capturing in this painting.
So, the sense that, these new places
we're discovering, don't have some of the
refinements or corruptions of our way of life.
They're natural and unspoiled.
That sense of the undiscovered country is a kind of Eden.
There's also a fascination with the sheer
exocticism and difference in places they're encountering.
Voltaire, for example, was a great admirer of what he heard about the Chinese rulers.
Their
Confucian culture seemed to be one in
which scholars were in charge, sort of scholar-philosophers.
He liked that idea, being a philosophe himself.
Okay, now let's turn the perspective.
Instead of Europeans thinking about the things they're valuing in Asia,
let's look at the Asian reactions to some of the Europeans.
This Japanese print is an especially interesting example.
This Japanese painting
was made by a man named Shiba Kokan in the late 1700s.
In the scene, you see the Japanese gentleman, samurai, a dignified fellow,
has sitting across from him at the
table, a Chinese gentleman, and a Dutch gentleman.
But the Dutch gentleman. He has open in front of him a book.
The book shows a diagram of human anatomy.
And you can just see in the symbolism of the picture, the Japanese
gentleman is subtly aligning himself a little bit more closely
to the promise of what was then called �Dutch knowledge.� Okay.
We talked just a moment about some things they valued
in these encounters.
But think too about the things that are fearful in these encounters.
Of course, there's the danger that the
foreigners might not like you, might attack you.
That could be fearful.
But another thing that could be fearful are the
encounters with alien cultures that you dislike, that you
fear might contaminate your own society. So this is
one of the reasons why both the Chinese and
the Japanese keep the foreigners very carefully compartmented in their little
trading outposts, to keep the infection of their ideas from spreading.
So, of course then there's a whole spectrum of reactions to these encounters.
How do you feel about encounters with strangers?
Introverts and extroverts. Consider two opposite ends of Eurasia.
At the eastern end of Eurasia, there's the wealth of the Qing dynasty in China.
At the western end of Eurasia,
there's the wealth of England.
You would be wrong to regard the
Chinese as backward, or not as commercially active.
They also have banks. They also have financial
ability, people working hard.
Chinese manufacturing capability in the late 1700s is about
as advanced as manufacturing capability anywhere in Northwestern Europe.
So what both of these areas, with a
lot of population density, a lot of commercial activity,
have in common, they're both experiencing what a
Dutch historian, Jan de Vries, has called �industrious revolutions.�
That is,
revolutions in the habits and practice of
people engaged in an active commercial life.
What they also have in common are pretty strong
monarchs in different kinds of relatively strong fiscal-military states.
What's different though about them is that in the East, the ruling dynasty, its
prevailing culture is more conservative than the
one in England or the one in Holland,
for instance. Why would it be more conservative?
Because they're the richest and most powerful empire on earth.
What's also different is that China's cultural integration
is actually so strong, so powerful, that there
is actually not a lot of rivals to it anywhere nearby, not a lot of spurs
for them to change or hear different ideas.
Just to give you some sense of just
how powerful the cultural integration was: the Qing Dynasty
actually dictated that every single adult Chinese male
had to demonstrate his physical subordination to the emperor
by shaving the top of their head and then pulling the rest of their hair back in a
queue.
You see the distinctive hairstyle here.
These men aren't all doing this as a fashion choice.
They're doing this because, for a long time, the penalty for not
doing it this way could be death, could be a sign of treason.
And cultured Chinese women for centuries had been taught that
their feet needed to be systematically broken and deformed from childhood,
so that they could fit into tiny shoes.
This habit called foot binding, then, effectively disabled
Chinese women from being able to walk normally.
I show you all this to see the power of a reigning culture.
But precisely because the reigning culture was so dominant,
it also tended to look inward.
Their ships are sailing all over the oceans.
They're planting new colonies, discovering new things,
finding new sources of wealth. The world is opening up to them.
They want to knock on the next door.
is part of a sense, culturally, in which
Europeans think they're discovering the way God's laws work.
That gives them an extra level of cultural confidence, a sense
of mastery, that emboldens them in their relations with the outside world.